![]() This was so loud on the Electro and C1 as to make them unusable at times, but the click level is now the subject of a parameter in the EX's system menu and can be tamed with a few key presses". ".there's one area in which the EX improves significantly upon previous Nord's: its key click. What's more, the Hammond's 'wrap-round' is recreated, and usefully extended to the extremes of the EX's keyboard". On the Stage's organ sounds., "For most players, the foremost of the EX's organ models will be its Hammond B3.When compared with a real Hammond, I found that it accurately reproduces the subtle inconsistencies of the original, as well as the gentle compression that affects a genuine tonewheel generator. I would defy anybody to identify this in a mix as an emulation, unless it was because it sounds too good to be the clunky original!" "I particularly liked the Mark I (Fender Rhodes) with tremolo and a bit of overdrive. The increased memory allows users to add more pianos from the Nord Stage Piano Library, to bring an even greater selection of these sounds to each and every performance.įirstly Gordon Reid tackles the Pianos, "the Yamaha CP80 emulation is, tonally, the best that I have heard yet.the overall effect was amazingly accurate". New features include twice the internal memory capacity compared to the former models, an increase from 128 to 256 MB, a new colour scheme and text printed on the front panel upper rim to indicate the position and function of the rear panel jacks. The largest in the new EX range, the Nord Stage EX 88, receives an extremely detailed, 5-page review in the latest issue of Performing Musician magazine. The Nord Stage has undergone a major hardware change and also received a cosmetic makeover. "I would defy anybody to identify this in a mix as an emulation, unless it was because it sounds too good to be the clunky original!"
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